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From him Burton learns a central tenet of Hinduism: "as long as we see our fellow men simply as other people, we will not stop hurting them." In parallel with sexual and linguistic pedagogy comes philosophical instruction at the hands of an extraordinary tutor, Upanishe Sahib, whose favourite tipple is bhang-infused milk. I know other noble arts, the art of foxhunting, the art of fencing, the art of knocking little balls over green baize, but the art of delaying the climax, no, that I don't know. Asked in bed if he has ever heard of this, Burton replies self-mockingly: "No. Burton's acquisition of skill in languages is a large part of the attraction of the first section, though he is also tutored in sexual practices by the delicious but doomed figure of Kundalini, a courtesan expert in ishqmak, the art of delaying climax. Such expressiveness is typical of the novel as a whole, which marshals its many voices in perfect pitch.
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Bwana Speke was like a tottery old man, he groped for his words the way you grope for a coin that's been lost in a trunk, and when he found them, he didn't know how to string them together." Sidi Mubarak, who is imagined in conversation with his grandchildren after the event, tells of Burton's linguistic prowess (he was fluent in 25 languages): "Bwana Burton spoke like a banyan, quickly and well, he could twist his tongue the way the madmen who run round the country of the banyans naked can twist their bodies.
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Returning to Africa as a free man after his owner's death, this fascinating individual took part in arduous expeditions run by Henry Morton Stanley and Verney Lovett Cameron before being sought out by Burton and Speke. The African section is cross-narrated by the more famous figure of Sidi Mubarak Bombay, a Tanganyikan/Mozambican Yao who spent his early life in Gujarat, India, having been transported there by slavers. In the Arabian section, the view from the side is provided by letters between various Islamic officials, worried that he has spied on military positions.
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In the Indian section, this other is a lahiya, or professional letter-writer, to whom Burton's one-time servant Naukaram goes to have his story written up, in the hope of gaining further employment (Burton discarded him in Italy with one month's pay and a cursory reference). In each section, narration is split between a third-person interior account of Burton himself and contextualising matter narrated or written by another. Throughout, the atmosphere of the scene is evoked with powerful physical detail and a constant parade of exotic characters, from opium dealers to choleric British generals. It begins with Burton's service in India in 1842-49, after his expulsion from Oxford then covers his travels in disguise to Mecca and Medina as a pilgrim on the hajj (1851-53) before concluding with his journey from Zanzibar to Lake Tanganyika in 1858 (during which his companion, Speke, "discovered" Lake Victoria and the source of the Nile). This novel was first published in Germany in 2006 its poetic prose has been elegantly translated by William Hobson. His family fled to West Germany in 1971 to escape persecution and he grew up speaking German before emigrating to Kenya. Troyanov was born in Sofia, Bulgaria, in 1965.
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Now Iliya Troyanov has given us the full fictional version in The Collector of Worlds, a long but consistently satisfying essay in biographical fiction, which is rapidly coming to seem a new genre.
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